Most music videos (there are
exceptions of course) exist for one purpose and one purpose only: promote the
band so the record label can make money. Thirty Seconds to Mars’ “Up in the
Air” is not an exception.
Firstly, Thirty Seconds to Mars
blatantly advertises for their new album, Love, Lust, Faith + Dreams,
throughout their entire video. Those are the first four words spoken, before
the music even begins. Then later on in the video, the music stops and yet
again those same words are repeated to us, only this time they are in four
different languages for “dramatic effect.” Also, all throughout the music
video, the band’s symbol, a triangle with a horizontal line cutting through it
(think the negative space of an “A,”) appears first on a pill and later it appears
frequently burning. It is almost as if the creators of the music video are
trying to subliminally influence the viewers to purchase the band’s content.
The rest of the video that isn’t
shameless advertising is simply an attempt to make the band more identifiable
to its target audience of angsty teenagers.
To
achieve this goal, Thirty Seconds to Mars relies heavily on the powerful
influences of disorientation. The band plays on the fact that teenagers are
known for feeling out of place and unsure of their lives by creating a video
that reflects this perfectly. The video itself is so chaotic that it requires a
warning stating that it could cause seizures for viewers with epilepsy. For the
next six and a half minutes, the viewer is bombarded with vibrant colors and many
confusing (but very visually striking) scenes. Of the many scenes flashing
throughout the video, eleven are of spinning objects. This further emphasizes
loss of control and disorientation. These eleven scenes are then repeated many
times as if to solidify the point more thoroughly.
Next,
the band includes many images in an effort to appear more rebellious to its
audience. Early in the video the band’s symbol is visible on a pill. Five
different women in the video are wearing barely anything at all. Fire is a
reoccurring theme, displaying both the band’s symbol and a heart. Switchblade
knives make regular appearances throughout the video. Thirty Seconds to Mars
literally uses drugs, sex and violence to establish a rebellious reputation for
themselves.
Thirty
Seconds to Mars’ video for Up in the Air is mainly self-promotion. First they ingrain
the name of their album and their band’s symbol into their viewers through repetition.
In addition they convince their audience that they identify with their struggles
through adolescence. These two strategies work together to sell the band to their
public.
Well Will, you have found a provocative video to analyze. You probably deserve credit just for that. I wasn't really sure what to think of this video while I was watching it. Honestly, the images were so over-the-top and seemingly random that I thought it might actually be a parody of the music video industry. In addition, this video captures many of the increasingly common music video tropes (the warehouse, the tableau of the attractive girl set against flat backdrop, the angry percussion, fire). I thought for a second that the chorus, "I wrap my hands around..." might be an allusion to the death of creativity in the industry, but it does not appear to be so. This appears genuine (gulp!).
ReplyDeleteI think your analysis is appropriate and well-written. The video seems to be one of self-promotion, and the "artist's" primary rhetorical strategy, or strategies, is the use of images that will appeal to confused, lustful, and potentially angry teenagers. I particularly like how you quantify the use of various images. The emphasis on spinning would make an interesting post, in-and-of itself. I also like your fairly objective tone. I cannot sense whether or not you like or dislike this video. This is a great attribute, one indicative of professional writing.